Traditional Textiles of the Andes: Life and Cloth in the Highlands

Traditional Textiles of the Andes: Life and Cloth in the Highlands

Product Description
The Andean Mountains are home to a rich heritage of textile design and weaving. In particular, cloth has traditionally been the most significant art form and cultural vehicle of the Aymara and Quechua peoples. Published in association with the Fine Arts Museums of San Francisco, this book features eighteenth-, nineteenth-, and twentieth-century indigenous textiles woven by the Aymara and Quechua. The elaborately patterned pieces are all drawn from the previously unpublished Jeffrey Appleby Collection and include everyday and ceremonial textiles of all types: ponchos, skirts, belts, hats, and slings. The accompanying essays by Lynn Ann Meisch, Amy Oakland Rodman, Ed Franquemont, and Margot Blum Schevill address such topics as the long history of fibers, dyes, imagery, and textile use in the region; and the effects of urbanization and westernization on traditional Andean weaving.

Woven Stories: Andean Textiles and Rituals

Woven Stories: Andean Textiles and Rituals

Product Description
The Quechua people of southern Peru are both agriculturalists and herders who maintain large herds of alpacas and llamas. But they are also weavers, and it is through weaving that their cultural traditions are passed down over the generations. Owing to the region’s isolation, the textile symbols, forms of clothing, and technical processes remain strongly linked to the people’s environment and their ancestors.

Heckman’s photographs convey the warmth and vitality of the Quechua people and illustrate how the land is intricately woven into their lives and their beliefs.

Quechua weavers in the mountainous regions near Cuzco, Peru, produce certain textile forms and designs not found elsewhere in the Andes. Their textiles are a legacy of their Andean ancestors. Andrea Heckman has devoted more than twenty years to documenting and analyzing the ways Andean beliefs persist over time in visual symbols embedded in textiles and portrayed in rituals. Her primary focus is the area around the sacred peak of Ausangate, in southern Peru, some eighty-five miles southeast of the former Inca capital of Cuzco.

The core of this book is an ethnographic account of the textiles and their place in daily life that considers how the form and content of Quechua patterns and designs pass stories down and preserve traditions as well as how the ritual use of textiles sustain a sense of community and a connection to the past. Heckman concludes by assessing the influences of the global economy on indigenous Quechua, who maintain their own worldview within the larger fabric of twentieth-century cultural values and hence have survived everything from Latin American militarism to a tidal wave of post-modern change.